Keith Vaughan Figures in Landscape Circa 1960 Pencil Drawing
Keith Vaughan 1912–1977 Figures in Landscape 1960s
Pencil on detached spiral-bound sketchbook paper.
Signed with initials KV to back.
A pencil drawing of three figures in a landscape from Keith Vaughan’s late period, circa 1960.
Alongside Graham Sutherland and John Minton, Vaughan first came to prominence as part of the British Neo-Romantic circle of painters of the post-war period.
His early work, characterised by coloured drawings of moonlit houses, rapidly developed into an idiosyncratic style concentrating on male figures. His painting became increasingly abstract, merging the male figure and the landscape together, fragmenting human form and outside space.
Dimensions:
Height: 6.3 in (16 cm)
Width: 8.67 in (22 cm)
Depth: 0.04 in (1 mm)
Location:
Shoreditch, London
Keith Vaughan 1912–1977 Figures in Landscape 1960s
Pencil on detached spiral-bound sketchbook paper.
Signed with initials KV to back.
A pencil drawing of three figures in a landscape from Keith Vaughan’s late period, circa 1960.
Alongside Graham Sutherland and John Minton, Vaughan first came to prominence as part of the British Neo-Romantic circle of painters of the post-war period.
His early work, characterised by coloured drawings of moonlit houses, rapidly developed into an idiosyncratic style concentrating on male figures. His painting became increasingly abstract, merging the male figure and the landscape together, fragmenting human form and outside space.
Dimensions:
Height: 6.3 in (16 cm)
Width: 8.67 in (22 cm)
Depth: 0.04 in (1 mm)
Location:
Shoreditch, London
Keith Vaughan 1912–1977 Figures in Landscape 1960s
Pencil on detached spiral-bound sketchbook paper.
Signed with initials KV to back.
A pencil drawing of three figures in a landscape from Keith Vaughan’s late period, circa 1960.
Alongside Graham Sutherland and John Minton, Vaughan first came to prominence as part of the British Neo-Romantic circle of painters of the post-war period.
His early work, characterised by coloured drawings of moonlit houses, rapidly developed into an idiosyncratic style concentrating on male figures. His painting became increasingly abstract, merging the male figure and the landscape together, fragmenting human form and outside space.
Dimensions:
Height: 6.3 in (16 cm)
Width: 8.67 in (22 cm)
Depth: 0.04 in (1 mm)
Location:
Shoreditch, London
